GALA, Ready or Not

 

Phoenix

Bad ass choir t-shirts

 
Ok. So, for anyone who has been like “Angie / Gayan / Verdana Leviathan Strong, WHY have you not replied to the email I sent you two months ago / done the thing you said you were going to do??? I’m WAITING!!!” I have a four letter word for you:

GALA. 

(Warning – that wasn’t one, but there are lots of f-bombs below.)

The GALA International Choral Festival that’s being held in Denver this weekend, where queer choirs (LGBTQetc) from around the world get together at the Performing Arts Complex and sing to each other for like 5 days. 

This time, I’m singing with Phoenix: Colorado’s Trans Community Choir

It’s a very new group founded by my partner Sam less than a year ago. We’ve been busting our asses to get our set ready since we found out in April that we could actually get on the program. 

Our rehearsal schedule has been steadily increasing in the fashion of a snowball rolling rapidly downhill. 

And our set, which is made up entirely of original pieces written by choir members, includes one of my songs, for which I wrote a choral version, with parts & everything. 

We’ll be performing right before a choir from Beijing, for an audience of a couple thousand people. 

I think it could safely be said that one of the unofficial themes of our set is Everybody Outside Their Comfort Zone (Together).

For some folks, this is about being in a choir at all … Singing with a group … Learning to blend and taking the risk that someone might hear their voice. For others, it’s about discovering a whole new vocal range after beginning the hormonal journey of transition, and the uncertainty of opening one’s mouth and not knowing what sound will come out. 

I’ve often said that one of the things I value about this group, and my personal experience in it, is that it’s an equal opportunity comfort zone challenger. I really mean that. Although I’m pretty at ease with group singing as a general concept and I’m not dealing with any big changes in my voice (or my gender presentation), I sometimes feel like I spend almost as much time resisting the process as I spend engaging with it willingly. (And yes, that’s my excuse for being slow to attend to other commitments, like that email I really do intend to reply to … )

For me, the stream of resistance looks like this:

– OMG what do you mean I’m the lead/only instrumentalist on this song? What if I fuck it up???

– OMG I’m fucking it up!!! It’s happening!!! In front of people!!! What do I do? How can I even continue living after this horrible fuck-up???

– OMG. Sam wants us to perform this song that I wrote. How can I possibly make other people sing something I wrote? What if no one but Sam even WANTS to sing it? Maybe they think it’s dumb, or just not choral, and we’re only doing it because I’m Sam’s partner. How can I bear the shame of people hating my song and being forced to sing it?

– And – ok, if I DO agree to do it, I/we (really “I” because I’m too afraid to let go of control) have to come up with an Arrangement. And write it out. In notes. On a staff. Like a, you know, I think the technical term is real music person. That sounds HARD. And very time consuming. And intimidating. And I am bound to fuck it up. 

– And speaking of intimidating, how am I supposed to teach it? I don’t know how to teach a harmony. And don’t I also need to play it on the piano then? Like, 2 parts at the same time? Um, I can’t. I especially can’t in front of these, you know, real music people.

– Geez, and then there’s, what is my relationship to trans-ness, anyway? I have a transgender partner. A fair number of trans people in my life. I’m part of the “trans community.” When I am singing in a trans community choir, this aspect of my identity/life comes to the forefront for examination in a way it doesn’t usually. Are there certain things I should be doing? Fights I should be fighting? There’s an odd feeling of responsibility that comes with contemplating these things. A feeling that I should be … standing up more. 

And then there’s … gosh, GALA itself. 175 choruses. That sounds really fucking BIG. In case you haven’t noticed, this year I’ve been embracing my tendencies toward introversion. This is going to be thousands of people in a smallish area downtown, which is already full of humans. That’s a hell of a lot of small talk. And don’t get me started on the parking! Plus, I still have to work my day job. I’m going to be exhausted. 

SOOOOOOOOOOOOO that’s been my inner monologue over the past few months – I’m sorry you had to witness that.

But. 

It’s getting close to go time. 

In fact, it’s happening this weekend. 

And …

Ok, I’m excited. 

The resistance is still there, an underlying mutter. 

But there are these spikes of … This is going to be cool. 

The tide is shifting. The things I appreciate about GALA are coming more to the surface. The great concerts. The solidarity. Performing in this incredible space. When I think about it, how did I get so lucky?

Working and singing with the trans choir over the past year has been a really wonderful experience. This group is so vibrant. The energy of each rehearsal is uplifting and energizing. Every member is truly bringing their heart. And even though it seemed at first like Mission: Impossible, we have really pulled together on this set of brand new songs that didn’t even exist three months ago. And it’s sounding good. And they don’t hate my song. A lot of them seem to actually really enjoy it. Astonishing! In fact, when the choir joins me (in harmony) on these lines that felt so idiosyncratic and personal when I wrote them … It’s like … Man. An amazing feeling, actually. A wave of joy spreading through me like warm, gentle surf. 

I love singing with this group so much. I am really looking forward to our sharing this moment, well, this fifteen minutes, together. 

It is going to be fucking awesome. 

And after that … Sleep. And, yes, email. I promise. ❤

Angie - I Encompass All Pronouns - Colorado Trans Community Choir - Phoenix

Other side of our bad ass t-shirts

Day 12: Love Belly

Love belly

I talked in my post yesterday about doing scary stuff and how it’s good for me because it helps me to do other scary stuff. I do often push myself to go outside my comfort zone for that reason, so in some ways I’m used to myself doing that, if that makes sense. I sometimes don’t actually even recognize what I’m doing as scary. I have a really high (some may say unreasonably so) standard for what I SHOULD be able to do, and as long as I’m within that “should zone,” I can’t even begin to see myself as courageous.  It’s like, if I did it, it can’t have been that hard, right? 

There gets to be almost like a layer of denial between my thoughts and my feelings about what I am doing. 

Head says: That was obviously no big deal. Even YOU did it. 

Heart says: Wait a minute, hey, that was really hard! And I don’t know how I feel about it! I probably need a hug now!

Head says: Shut up, Heart. You’re wrong. It was too easy. Now go back to the drawing board and figure out something REALLY scary to do.

Heart says: Oh … Okay … … …

But I guess my post yesterday actually was scary enough to make my heart’s needs crack through that force field of repression, and all the challenging stuff I have been doing lately finally caught up with me emotionally. A little while after I posted it, I realized I just wanted to go curl up in my bed and cry. 

It wasn’t like anything bad had happened — I’ve gotten nothing but love back about this blog series. And I’m so grateful! But I think the anxiety and fear and vivid memories of past rejections and hurts that I have been stirring up from the depths of my heart by taking these pictures and sharing these words just got agitated enough so that they had to spill over into my consciousness … and then, apparently, out from my eyeballs. 

And thank God it did, too! Otherwise I might never have realized that I needed to give myself some TLC! I had a good old cry and I held myself in love and appreciation for the fears I’ve faced. And I felt so much better — all clean and shining again. 

I didn’t know what I was going to do for today’s picture until I was at my usual Wednesday night activity, that is, gospel choir practice. I noticed that without thinking about it, I was singing with my hands on my belly; that I was just lightly and tenderly holding it. And then it came to me that I needed to make that love conscious, I needed to let myself be in that self loving space for a little while. It’s certainly been rare enough for me over the course of my life — but this project is about changing that old habit of putting myself down. 

When I started this series, I was afraid to have my face in the pictures. I was like, ok, I’m forcing myself to look at my belly — looking at my face too is just more than I can handle! But as I’ve worked on accepting my belly as it is, by default I’ve also become a smidgen more comfortable with my face as it is. So here’s the full version of the photo above:

Belly with face

And because I know you want to see what awesome art is hanging behind me in the Wesley Fellowship bathroom:

Look how the light bulb makes that amazing crescent moon!

In the words of one of our choir songs:

We let the love wash over us,
We let, we let it be.   

Yay! Mosaic!

If you were in my choir — which is Mosaic Gospel Choir, part of the Wesley Fellowship at CU in Boulder, CO — you would have gotten this awesome reminder from our choir director, Gary, yesterday:

Because God loves the shit out of you. And so do I.

And that is just one reason why I am so excited for our first rehearsal of the spring season, which is tonight!

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I joined this choir last fall with Sam and I’ll admit that at first I had, not a love-hate, but maybe a love-indifference relationship with the group, and until about two thirds of the way through the semester I was like “Yeah this is pretty fun, but I probably won’t do it next semester.” I think this was because I had to miss a few rehearsals and the rehearsals were already shorter than most choirs I’ve been in, so perhaps it took a little longer than average for me to be fully brainwashed, I mean absorbed into the juicy goodness of this choir.

But then one day I was going through some emotional crap and I found myself singing one of our songs over and over again, and then even doing what the song said:

There’s power when you call His name,
With faith to believe why He came.
Even with the faith of a mustard seed,
Just call His name when you’re in need …

(As you say that in your head, make sure to put in lots of bad-ass triplets and syncopation.)

Then the call-and-response,

Call Him — Jesus — Call Him — Jesus —
Call Him ———

(that’s where you hold it out really dramatically)

So that’s what I started doing. Just speaking the Name, and letting all of the pain and struggle and need pour out through the voice. And what do you know? Emotional crap gone!

God literally loves the shit out of me.

Of course the shit comes back. Because you know, we give our problems to God but we obsessively grab them back again. And we give them up again. And we take them back again. But throughout this process nothing has been more comforting to me than singing the Name.

So … Thank you, Mosaic Gospel Choir, for bringing me back into conversation with Jesus! I appreciate it soooooo much!

And not only that but, it’s the kind of gospel choir that talks to Krishna too. One of the first songs we learned was George Harrison’s “My Sweet Lord”! And you don’t have to pretend that you’re committed to any particular Christian denomination. And you can be as “out there” as you are, in any way that you are. All you have to do is want to sing and share the love in your heart with a bunch of other awesome people and with God.

And, astoundingly, when I am singing in this choir, my body feels like the exactly most perfect vehicle for the expression of my unique praise. What drew me to gospel music in the first place was that what I do when I worship — stand up, raise my hands, move my hips and my head and my feet — isn’t weird. And this group does me one better: if my belly sticks out between my shirt and my pants when I do stretches — it almost feels ok.

And if all that wasn’t enough, it meets in this funky blue chapel that looks like a chalet:

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And that’s why I’m coming back for another season.

Yay!